A discussion of the role of the Conductor in both music and society, beginning with my casual impressions (complimented with satirical examples); and followed by critical insights from a socio-musicologist, as well from conductors and composers themselves.
Although I have yet to acquaint myself with orchestral performance, which does interest me; the passive familiarity I have with it has nevertheless left me with a particular impression—specifically, regarding the role of the Conductor, which appears to be strikingly suspect. Upon casual contemplation, I had formed some substantial thoughts about it, from which I felt the subject would be would worthwhile to investigate one day. And due to this question of the Conductor being brought up by someone in a group conversation, that day eventually arrived.
This article features a selection of quotes from the book Homo Deus, each accompanied by my notes, comments, and references to related media.
Part 3 of this article series features my expansion of Ncaps 31-40 for the book Homo Deus (as discussed in the Introduction, which also includes the full list), as a basis for identifying points of significance and referencing a variety of relevant media.
Themes covered in Part 3 includeDialectics of Government, Principles of Revolution, Submission to Authority, Continuity of The Establishment, Emotional Decision-Making, Elite Minority Rule, Conceits of Modernity, Social Instability, Civilized Barbarism, Collectively Believed Fictions, Society as Entrapment, Hindsight via History, Suppression of Awareness, Ideological Bio-Engineering, Prophetic Sci-Fi, Modern Forms of Religion, Rationalized Immorality, Incongruous Speech, Hypocrisy of Civilization.