Russia-Ukraine for ‘Years and Years’ – Part II: Limited Nuclear War (WWIII)

Part II of an article series examining themes from the British dystopian series Years and Years that have become pertinent following the Russia-Ukraine War.

Nuclear War: Limited Edition – Release Date: 202? […tick, tock, tick, tock…]

Part II of this article series begins by establishing the concept of Limited Nuclear War and highlighting its enduring significance as a sociocultural theme. I then examine the depiction of limited nuclear war in the British prophetic fiction series Years and Years, the predictive significance of which being the basis of this article and series. From this context is presented the following thesis: that the international developments ensuing from the Russia-Ukraine conflict are likely to provide the catalyst for the fulfilment of the nuclear threat born from the Cold War—specifically, in the form of limited nuclear war.

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Retroverdose (on Strangely Familiar Things)

An article on Stranger Things (SPOILER: it’s duffing long!)

Stranger Things – A Netflix Original [heh] Series

Retromania: from the 2000s onward, pop culture has lacked the creative, future-oriented, dynamic energy of the previous decades: rather than opening the future, it inaugurated the ‘Re’ era, i.e. dominated by the ‘re-’ prefix – such as in revivals, reissues, remakes, re-enactments – thus representing endless retrospection.
  The post-millennium ushered in an era of unoriginality that feeds on its own history, trades in references, and quickly begun to rework material from a past that is increasingly immediate—thus has pop culture turned into an endless act of regurgitation.

What does this have to do with Stranger Things? With the debut of this series in 2016, pop culture has seen a particular development of retromania: from the mania of retro, i.e. the cultural pervasiveness of it; to the intensification of retro, i.e. the artifactual over-dosage of it.

And hence: Retroverdose (on strangely familiar things)…

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